Specialist

Elaine Banks Stainton

Senior Specialist, Paintings & Drawings

Elaine Stainton completed her undergraduate work at Indiana University, then studied classical archaeology at the University of Maryland, where she received a master’s degree in this field in 1972. She worked in the department of Greek and Roman Art at the Museum of Fine Arts, Boston, before continuing her studies in archaeology at Princeton University. While at Princeton she studied both classical archaeology and Renaissance and Baroque art, eventually completing her doctoral work in Renaissance painting. She received her Ph.D. in Art and Archaeology in 1978, with a dissertation on the Venetian painter Jacopo Tintoretto.

In 1975, Elaine joined the faculty of the University of Delaware, where she taught art history and archaeology for four years before moving to New York in 1979 to work at the auction house of Sotheby Parke Bernet. Since that time she has lived in New York and has worked for several art firms, including Sotheby’s, Richard Feigen Gallery, P. & D. Colnaghi, and Doyle, where she was Director of the Paintings and Drawings Department from 1984-1993.

In 1993, she formed her own company, Stainton Associates, specializing in fine arts research and appraisal. In 1994 she was appointed senior editor at Harry N. Abrams, Inc., a publishing house known for its fine illustrated books, where she edited a number of distinguished art titles. The same year, she also began to teach art history and connoisseurship at New York University’s School of Continuing and Professional Studies, where she remained on the faculty for twelve years.

In 2006 Elaine returned to Doyle as the Executive Director of the Paintings and Drawings Department. As such she is responsible for the appraisal and auction of important paintings and drawings in the fields of European old master paintings and drawings, European and American 19th century art, and European and American Modern and Contemporary art. She has appeared as an appraiser of paintings on the PBS series Antiques Roadshow and has also been featured as a speaker at a number of professional conferences in the fields of fine art connoisseurship and appraisal.

Current & Upcoming Auctions

 
Old Master & 19th Century Paintings, Drawings & Prints / English & Continental Decorative Arts

Old Master & 19th Century Paintings, Drawings & Prints / English & Continental Decorative Arts

Date: Jan 25, 2024 10:00 EST

featured stories

A Portrait by Thomas Lawrence

A Portrait by Thomas Lawrence

Elaine Stainton chronicles the life of the English painter Thomas Lawrence and examines his portrait of Miss Mary-Anne Capel, later Lady Carrington.

 
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The End of the Spanish Silver Fleet

The End of the Spanish Silver Fleet

Elaine Stainton discusses Nicholas Pocock's depiction of the 1804 Battle of Cape Santa Maria, which brought an end to Spain's annual treasure fleet from the Americas.

 
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Three Faces of George Romney: The Evolution of a Portraitist

Three Faces of George Romney: The Evolution of a Portraitist

Specialist Elaine Stainton examines three portraits that demonstrate Romney's evolving style during distinct periods of his career.

 
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A Monumental Draped Goddess: Aphrodite of the Gardens

A Monumental Draped Goddess: Aphrodite of the Gardens

Elaine Stainton discusses an important Roman marble figure of Aphrodite from the first century AD.

 
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Dwarfs in European Art

Dwarfs in European Art

Elaine Stainton discusses depictions of little people in Old Master paintings and examines two 18th century works by Italian artist Enrico Albrici.

 
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John Hoppner: British Portraitist

John Hoppner: British Portraitist

Elaine Stainton chronicles the life of the famed painter and examines two portraits from the Estate of A. Edward Allinson, Palm Beach.

 
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Two Views of Venus

Two Views of Venus

Elaine Stainton discusses two images of the ancient goddess of love -- one embodying deeply-felt passion and tragic loss, the other motherly love, generosity and humor.

 
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St. Catherine & the Wheel

St. Catherine & the Wheel

Elaine Stainton examines three depictions of St. Catherine of Alexandria and her attribute, the torturous instrument now known as the Catherine Wheel.

 
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